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主演：Magda Celówna / 玛丽安·杰奇茨 / Krystyna Feldman
导演：克日什托夫·克劳泽
语言：波兰语
地区: 波兰
编剧：
类型：剧情
上映时间：2006-07-03
别名：
用户标签：波兰,2004,Poland,KrzysztofKrauze,Polska,波蘭電影,波蘭,水晶地球仪
片长：97 分钟
imdb编号：tt0425278
Nikifor :his true name Epifan Drowniak (1895—1968) left about 40000 pictures and drawings ; considered one of the most outstanding narve painters of all time.
Nikifor is a Polish national treasure. His work is so valued and renowned that the Polish government will no longer allow it to be exported. Throughout Poland, there are three museums, which are solely dedicated to his work. In addition, he has been exhibited throughout the world.
Nikifor was born deaf and dumb and little is known about his childhood except that his mother was a beggar and a prostitute and that he did not know his father. He spent much of his life as a traveling beggar and most of his days ill with tuberculosis.
During a stay in the hospital, a doctor gave him a box of watercolors and thus began his career as a naïve painter. Painting not only became the way he earned a living, but also his reason to live. He sold his small paintings as souvenir postcards. The large letters on his pictures are mostly meaningless, since he could neither read nor write; however, sometimes the word malarz (painter) can be deciphered.
Nikifor often painted himself as a person he desired to be, such as a respected official, a father or a large family, or a bishop. He is considered Poland's greatest self-taught painter.
四星半。他说的话没人懂，他的病痛让他去不了任何地方，他是人们眼中的肺结核病毒。但他不在乎这些，今天没遇到好人就不画画，开心了就画圣徒，他一眼就能看清这浑浊的世界，腐烂的躯壳不能阻止他的心结出丰硕的果实。恐怕那些人要花很多年才能看懂他，他的画，不过都不重要，他与时间同在。
片名听起来有点矫情，但是见到尼克夫之后就明白了，他是无法表达和交流的，必须通过“我”来作为尼克夫和社会主义美学之间的桥梁。片中红底白字的条幅提醒大家，社会主义标语与年代、语言没有关系。映闭，偶然后排男生对同伴说，我就不明白这画有什么好的。@20171212电影资料馆
3.5 所谓“我的尼克夫”，重点还是在“我的”。尼克夫是无法理解的，但主角是可以理解的，影片针对的就是二人之间不断变化的关系，厌恶、同情到负有责任，关乎60年代冷漠的共产主义社会氛围之下的人性之光。（想起夜车）
3.5所谓“我的尼克夫”，重点还是在“我的”。尼克夫是无法理解的，但主角是可以理解的，影片针对的就是二人之间不断变化的关系，厌恶、同情到负有责任，关乎60年代冷漠的共产主义社会氛围之下的人性之光。（想起夜车）
以十分舒缓的节奏展现了上世纪60年代晚年尼克夫与年轻画家相依相伴的点滴生活。片中几乎没有直接展现或者间接隐喻波兰当时政治状况，可以说，影片与尼克夫的画一样朴素、真稚。
画如其人，稚拙派天才。比较想不通的是，大部分场景都采用了一种逼仄的画面构图，和空境的远景对比明显，除了两人在树林下的背影，开阔轻松。
从此，那个叫Nikifor的波兰画家便和我成了朋友。他的画就像小朋友的涂鸦。他很像ET。总有一天要回家。
影片最后的画加5分。整个影片偏冷淡，挺东欧风格。更多用画面表达内容而非语言。天才都是寂寞的。
宛如画中的场景，自然而又美好。众人视他为洪水猛兽，他却依旧以纯真对待这个世界。纯朴的电影。
从一开始尼克夫逃避镜头和对话者的眼神，到最后他依然不理解自己已经成名。安定剂回血的针筒。
尼克夫这个古怪的天才幸运的是遇见了一个有责任心且能欣赏他的人吧 换我可能很难忍受
尼克夫这个古怪的天才幸运的是遇见了一个有责任心且能欣赏他的人吧换我可能很难忍受
连影片画面都仿佛稚拙手笔——分明都是日常景象，却不乏意外之美。
